We interview ARTSTHREAD member Niya DeGroat, a 2020 Fashion Journalism MA graduate from the Academy of Art University. We discuss his experience designing a magazine for contemporary Indigenous fashion for his thesis project, the hurdles indigenous designers face in the fashion industry and amazing designers to watch.

Joe Biden's inauguration missed the mark by including tone deaf American folk song.

A year ago, 27-year-old designer and MFA graduate Chelsea Grays boarded a plane for Paris as part of a one year, scholarship-funded exchange program with École de la Chambre Syndicale. However, about halfway through her residency, COVID-19 disrupted all operations in Paris for three months. With no choice but to keep creating while adhering to rigid stay-at-home orders, she’s preparing to unveil a 27-piece unisex collection this week.

First-person account of creative personality Niya DeGroat for the 2020 LGBTQ2S Issue of Native Max Magazine (digital version).

Fashion writer Niya DeGroat sat down with Orlando Dugi to talk about his queer background, his design aesthetic, and how he has been passing the time during quarantine.

“I grew up with the curiosity to explore and to create,” says designer Ernesto Fernandez. The 47-year-old School of Fashion alumnus has been staying busy designing table accessories for Von Gern Home while quarantined in New York City. “I am a creative consultant. I met the owner last year through a mutual friend. She needed someone to help her with color stories and new designs.” Prior to his position with Von Gern Home, and over the span of sixteen years, Fernandez spearheaded some of the wor

Growing up on the Navajo reservation, television was my only resource to the outside, American world. From Barney to soap operas to Oprah Winfrey, everything on the TV screen captured my imagination. Eventually, I started to notice something was missing: people who looked like me. Unless of course, I flipped the channel to a Western only to see John Wayne killing “savages” left and right. Except, those weren’t really Indians; they were white actors in red face and cheap wigs playing “Cowboys and